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                <text>Lower Pasig River showing inter-island boats.</text>
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                <text>Pacific pursuits : Postcards</text>
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                <text>Cardinell-Vincent Co. | Camera Supply Co.</text>
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            <description>The topic of the resource</description>
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                <text>Piers &amp; wharves | Sampans | Cargo ships</text>
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                <text>Pasig River (Luzon, Philippines)</text>
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            <description>The nature or genre of the resource</description>
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                <text>Luneta.  Manila, P.I.</text>
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                <text>Pacific pursuits : Postcards</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Camera Supply Co. | Cardinell-Vincent Co.</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1921</text>
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            <description>The topic of the resource</description>
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                <text>Parks</text>
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                <text>Manila (Philippines)</text>
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                <text>still image</text>
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              <description>An account of the resource</description>
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                  <text>The Works Progress Administration (WPA) Collection consists of works on paper, primarily lithographs and etchings, but also drawings and paintings created during the years 1935-1943. The purpose of the WPA program was to create paying jobs for the unemployed at every skill level. The WPA allowed many artists to work full time on their craft for the first time. Students were able to learn new skills, while other artists served as mentors and continued to advance techniques and innovate -- especially in the printmaking field. Most works were produced at the Harlem Arts Community Center in New York City. The WPA provided sophisticated equipment that supported the development of printmaking. The African American artist Dox Thrash developed a new lithographic technique, the Carbonrundum print, which contributed to the popularity of printmaking in the United States. Images from the collection include black sharecroppers, city scenes, unemployment lines, laborers, children in parks, industry, and social protests. Others also deal with social and racial issues like poverty and lynching.</text>
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                  <text>Various artists</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Schomburg Center for Research in Black Culture, Art and Artifacts Division</text>
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              <description>An entity responsible for making the resource available</description>
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                  <text>Works Progress Administration (WPA)</text>
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                  <text>Prints</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>Accession number: PR numbers&#13;
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Macedonia A.M.E.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Taylor, Prentiss, 1907-1991 | African Methodist Episcopal Church</text>
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            <name>Date</name>
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                <text>1934</text>
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                <text>1934.0</text>
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            <description>The topic of the resource</description>
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                <text>African Americans | Prayer meetings | Spirituals (Songs) | Religion | Christianity</text>
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                <text>still image</text>
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            <description>An account of the resource</description>
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                <text>Image: 9.5 x 13.3 in.; on paper: 14.8 x 18 in. | 1 print</text>
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                <text>Works Progress Administration (WPA) Art</text>
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                <text>http://images.nypl.org/index.php?id=5179807&amp;t=g</text>
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                <text>http://digitalcollections.nypl.org/items/e53016c0-fbe6-0131-5eb1-58d385a7b928</text>
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            <description>A name given to the resource</description>
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                <text>Maiko at the spinning wheel.</text>
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                <text>Pacific pursuits : Postcards</text>
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                <text>1907</text>
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                <text>Japanese | Geishas | Teenagers | Spinning apparatus</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>still image</text>
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            <description>A name given to the resource</description>
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                <text>Maiko playing musical instruments.</text>
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                <text>Pacific pursuits : Postcards</text>
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